Fall 2005 Lecture Series

One Hundred Years of German Expressionism: Painters and Patrons, Politics and the Public All lectures will be held at the German Historical Institute, 1607 New Hampshire Avenue NW (Directions) German Expressionism: Nineteenth-Century Roots September 08, 2005 Robert Rosenblum (Institute of Fine Arts, New York University) In conjunction with the GHI's fall lecture series One Hundred Years of German Expressionism From Impressionism to Expressionism: Harry Graf Kessler on Modern Art and its Public in Imperial Germany followed by a screening of "Harry Graf Kessler – der Mann der alle kannte" (2005) by Sabine Carbon (24pictures, Berlin). September 19, 2005 Laird Easton (California State University, Chico) In conjunction with the GHI's fall lecture series One Hundred Years of German Expressionism A Non-Male German Talent: Gabriele Münter’s Work Perceived through Wassily Kandinsky’s Eyes October 06, 2005 Reinhold Heller (University of Chicago) In conjunction with the GHI's fall lecture series One Hundred Years of German Expressionism Künstlergruppe Brücke and the Public Sphere: The Formation of the Modern Woman Patron and Collecto October 27, 2005 Shulamith Behr (Courtauld Institute of Art, University of London) In conjunction with the GHI's fall lecture series One Hundred Years of German Expressionism Franz Marc at the Lenbachhaus November 03, 2005 Annegret Hoberg (Städtische Galerie im Lenbachhaus, Munich) In conjunction with the GHI's fall lecture series One Hundred Years of German Expressionism Expressionism and the Third Reich November 10, 2005 Jonathan Petropoulos (Claremont McKenna College) In conjunction with the GHI's fall lecture series One Hundred Years of German Expressionism "Kunst der Freiheit" or "Phänomen spätbürgerlicher Dekandenz"? The Art of Die Brücke in the Cold War December 08, 2005 Christian Saehrendt (Humboldt University, Berlin) In conjunction with the GHI's fall lecture series One Hundred Years of German Expressionism